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其他玩偶芬利[电影解说]

主演：Alexa Leigh Fletcher Brooke Wallace

导演：J.Zachary Thurman

简介：　　喜剧轻恐怖。新住户搬入后发现阁楼一只被放在箱子里的木偶Finley，没想到Finley对他们杀气很重，当面下毒药、用胶袋套住新主人的头、设立暗杀机关······但一切都相安无事，直到圣诞节的那个夜晚······

其他破碎人生[电影解说]

主演：杰克·吉伦哈尔娜奥米·沃茨克里斯·库珀犹大·刘易斯 C·J·威尔逊波利·德雷珀马拉奇·克利里戴布拉·莫克希瑟·林德沃斯·史蒂文斯 Blaire Brooks 本·科尔布兰登·杜林詹姆斯·科尔比阿尔弗雷多·纳西索麦迪逊·阿诺德罗伊斯·约翰逊西莉亚·奥 Mark Lewis B Bastian 约瑟夫·H·卡尼奥尔乔治·J·维茨纳

导演：让-马克·瓦雷

简介：　　《爆破》由布莱恩·赛普（Bryan Sipe）编剧，故事讲述杰克·吉伦哈尔（Jake Gyllenhaal）饰演的一位投资银行家在妻子遭遇意外身亡后，生活变得支离破碎，直到遇到了娜奥米·沃茨（Naomi Watts）饰演的单亲妈妈，人生才有了转机。　　据悉，娜奥米·沃茨饰演的这位单亲妈妈是一个既和老板约会、又吸大麻的客户服务代表，她的公司专门生产自动贩卖机。她和男主角的相遇也充满戏剧性，男主角的钱被自动贩卖机吞了，她去处理投诉时了解到了男主角的不幸遭遇，继而与他有了进一步的接触。

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4.0

电影十三号星期五9

主演：John D. LeMay 卡里·基冈凯恩·霍德尔史蒂文·威廉姆斯斯蒂文·卡普爱琳·格雷拉丝蒂·休默理查德·甘特莱斯利·乔丹比利·格林·布什 Kipp Marcus Andrew Bloch Adam Cranner 艾莉森·史密斯朱莉·迈尔克斯 James Gleason 迪恩·洛雷亚当·马库斯 Mark Thompson Brian Phelps 马德隆·库蒂斯米歇尔·科鲁尼迈克尔·B·希尔维乔纳森·潘内尔哈里·詹姆斯 Brooke Scher

导演：亚当·马库斯

简介：杀人魔王杰森（凯恩·霍德尔KaneHodder饰）在犯下了数不清的命案后终于迎来了属于他的大结局，在警方强大的火力攻势之下，杰森倒下了。然而，就在众人以为这位凶残无情的连环杀手命归西天之时，杰森却借由着验尸官的身体复活了。警方发现，杰森能够通过和他有着血缘关系的亲戚的身体复活，于是将重点保护的目标放在了他的姑姑戴安（爱琳·格雷ErinGray饰）和表妹杰西卡（卡里·基冈KariKeegan饰）的身上。遗憾的是，戴安最终没有能够逃脱杰森的毒手，但杰西卡凭借着强大的意志力和惊人的运气和杰森血战到了最后。作为唯一一个拥有彻底消灭杰森的力量的人，杰西卡能否终结这个萦绕了多年的噩梦？

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7.0

电影血湖

主演：Jason Brooks Zack Ward Shannen Doherty

导演：James Cullen Bressack

简介：　　这部B级怪兽电影由《鲨从天降》（Sharknado）的创作人打造，因此和《鲨从天降》一样充满了恶趣味。但是《鲨从天降》中的怪物是大鲨鱼，本片中的怪物却是……小鳗鱼。怪物不分大小，不分形状，只要能在最出人意料的时候发动致命攻击就是好怪物！故事发生在密歇根州的一座小镇，可怕的杀人七鳃鳗闹得当地居民人心惶惶。无论你是去泳池游泳，还是去厕所坐马桶，杀人七鳃鳗随时可能出现，让你稀里糊涂地丢掉性命。七鳃鳗是一种长着巨齿、漏斗状嘴并且能利用细长的身体在城市下水道中自由穿行的鳗鱼。当它们大开杀戒之时，无论你躲在哪里都不安全。下一个受害人会是谁？

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5.0

电影荣耀六十年

主演：Anna Neagle Anton Walbrook C. Aubrey Smith Walter Rilla

导演：Herbert Wilcox

简介：　　Sixty Glorious Years is an exercise in the creation of iconography, both for Victoria and its star, Anna Neagle (who subsequently became known as 'Regal Neagle'). Just as Elizabeth I commissioned artists to create flattering iconic images for public consumption, so this film performs a similar function, for Neagle is more beautiful than the real life Victoria. Controversial events (such as the 'Irish problem') are omitted and unpleasant aspects of Victoria's character (her petulance, arrogance, favouritism and 'right to privilege') are glossed over as endearing little 'whims'. Albert acts as a moderating influence when she goes too far.　　The film followed a year after the highly successful Victoria the Great (d. Herbert Wilcox, 1937). Again the screenplay is by Miles Malleson and Robert Vansittart, and many of the supporting cast (the cream of acting talent of period) repeat their roles, this time for the colour cameras. This was the first full length Technicolor film of cinematographer Freddie Young, who captures the spectacle of royal weddings, grand balls and opulent interiors, with scenes actually filmed at royal palaces. Vivid battle scenes, set in Alexander Korda's empire territory (Sevastopol and the Sudan), rival those in The Four Feathers (d. Zoltan Korda 1939).　　The title music sets the tone: a regal choir sings over a shot of the crown. Elgar's 1901 'Pomp and Circumstance' march is heard during the diamond jubilee celebrations and, as Victoria's coffin lies in state, the film concludes with Anthony Collins' stately music accompanied by the text of Rudyard Kipling's 'Lest we forget'. Combined with the emotional appeal of scenes of Victoria connecting with her 'ordinary folk', this is stirring stuff.　　The film connects with contemporary events of 1938. The release of two celebratory royal films was intended to boost public affection for the monarchy in the wake of Edward VIII's abdication. Anglo-German relations were another touchy subject. With another war on the horizon, influential voices wanted appeasement, and the film could be seen to fit that agenda. Victoria herself was of mainly German descent, nicknamed 'the grandmother of Europe', while Albert is a 'good German', charmingly played by Anton Walbrook as a cultured, decent man.　　Sixty Glorious Years now seems unduly formal and reverential. Had movies existed during Victoria's reign (they only emerged at the end) this might have been the kind of film produced. Unlike Mrs Brown (d. John Madden, 1997), it is all so very 'Victorian'.　　Roger Philip Mellor

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